That means you can work right up to the on air deadline anddeliver the final master as soon as you have completed your grade!
Colorists don’t have to rebuild the project every timethe edit changes. Every time changesare made in editorial they can be sent to DaVinci Resolve and the timeline willupdate automatically. Imagine having to grade over 900 shots for ashow every day! DaVinci Resolve’s compatibility with editing systems letscolorists start grading before the final edit is complete. Episodic television schedules are some of the fastest andmost gruelling in the industry.
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